摘要
女主人公汉娜的身体是贯穿小说《朗读者》的一条主轴,也成为其叙述中的关键符号。它既凝聚了米夏和汉娜的个体隐秘情感,又承担了历史反思与当代主体建构的宏观叙事。作品充分发挥文学虚构的自由空间,以欲望身体的延展,指涉德国战后历史反思中的痛苦与挣扎,宣告了对传统价值观的贬黜,是对一种长久统领战后的所谓反思理性的颠覆。
The body of Hanna,who is the heroine of The Reader,is a principle axis which goes through the whole novel and it is also an important symbol in the narration. It indicates the private emotion of Misa and Hanna and it also carries the macroscopic narration of historical reflection and subject construction. This novel makes full use of the potentiality of fiction and deals with the struggle and agony in German reflection of history after WWII with the implication of body. It declares the degradation of traditional value and subversion of the so-called introspection reason which was dominant after WWII.
出处
《东北师大学报（哲学社会科学版）》
CSSCI
北大核心
2012年第5期170-172,共3页
Journal of Northeast Normal University(Philosophy and Social Science Edition)
基金
吉林省教育厅"十二五"社会科学研究项目(2011第163号)
关键词
身体叙事
主体建构
历史反思
Body narratology
Construction of subject
Reflection of history
作者简介
高红梅（1974-），女，辽宁岫岩人，东北师范大学文学院博士研究生，长春师范学院文学院副教授；
周海燕（1967-），女，吉林农安人。吉林大学公共外语教育学院副教授。
