摘要
审美现代性是学界一直长期关注的热点问题。二十世纪中国审美现代性既来自于西方审美现代性的刺激,又是自身审美传统的"现代化"。廓清西方审美现代性概况并以此为参照,在比较的视野下从审美主体、审美对象、审美理想的流变来阐释中国传统审美与现代审美的不同,最后凸显出审美现代性的实践性与体验性。
Aesthetic modernity is always a hot issue in academic field. Chinese aesthetic modernity in the twentieth century was not only from the stimulation of the western aesthetic modernity, but also from its own ＂ modernization＂. The review of western aesthetic modernity used as a reference, from a comparative perspective, this article illustrated the differences of Chinese tradi- tional aesthetics and modern aesthetics in the changes of aesthetic subject, aesthetic object and aesthetic ideal, and featured the practice and experience properties of the aesthetic modernity.
出处
《江苏广播电视大学学报》
2012年第4期58-62,共5页
Journal of Jiangsu Radio & Television University
关键词
审美现代性
比较视野
传统
现代
体验性
aesthetic modernity
comparative prospective
tradition
modernity
experience property
作者简介
张万盈，重庆师范大学文学院2010级文艺学硕士研究生，主要从事文学原理、当代文学研究。（重庆401331）
