摘要
北宋是中国雕版印刷的勃兴期。这一时期,以国子监为主导,各地官私机构相继刻印了大量经、子类书籍,蔚为大观。经书子籍雕印既是中国以典籍为中心的传统学术惯性,也是科举政治的必然选择。这类印本在社会的广泛传播流行,导致"疑古"精神在一定程度上消解了典籍的神圣,对北宋的学术发展产生潜在的影响,进而形成"六经注我"为特征的宋学。
Northern Song Dynasty is a period of vigorous growth of the Chinese woodblock printing. During this period, the Imperial College officials and the private institutions hove been engraved by confucian classics and sub-books, could fill volumes. The woodblock printing of confucian classics and sub-books is well received books for traditional academic inertia, the inevitable choice of Imperial politics. Such copies of widely disseminated popular in society, to some extent, it resulted the questioning of the spirit of the sacred texts, the potential impact on the academic development of the Northern Song Dynasty, thus forming a ＂Six-classics explain my thinking＂ for the characteristics of Song Learning.
出处
《出版科学》
CSSCI
北大核心
2012年第3期99-104,共6页
Publishing Journal
基金
浙江省哲学社会科学规划课题"北宋书籍刊刻与文学"(07CGZW016YBX)
温州市文化工程课题"宋代温州印刷文化研究"(Wyk 0738)
"温州(泽雅)造纸历史与文化消费研究"(Wyk11164)研究成果
关键词
北宋
经书典籍
刊刻
宋学
Northern Song Dynasty Confucian classics Publication and carving Song learning
作者简介
苏勇强，文学博士，温州大学印刷文化研究所副教授：
陈久恩，温州大学印刷文化研究所2009级硕士生。
