摘要
元代,忽必烈统一中国后,民族和社会进入到一个新的融合期。在艺术上,包括绘画、雕塑、金银器、丝织品、陶瓷、漆器和其他装饰艺术,都产生了新的形式和风格变化。这既归因于新的政治经济发展和社会文艺创作的环境,也和元代与其它国家地区间的交流相关,宗教性和世俗性开始在艺术表现突出。2010年秋季在纽约大都会博物馆展出的日用品、服装、建筑,从艺术形式和表现方法都体现了元代艺术的革新之处,对后世的实用美术产生了积极影响。
In Yuan Dynasty, Khubilai Khan unified China, it＇s a new era that ethnic and society integrated greatly. In the field of arts, including painting, sculpture, gold and silver crafts, silk, ceramics, lacquer ware and other decorative arts, had created a new form and style. The change is not only due to the new political and economic development and social environment for artistic creation, but attributed to the exchanges between Yuan Dynasty and the other countries and regions. Religious and seeular factors played significant roles in the art. This paper will focus on the exhibition held in the fall of 2010 in the Metropolitan Museum in New York, it mostly introduces the art works about the daily necessities, clothing, architectures, the related art forms and expressing means manifest the artistic innovation in the Yuan Dynasty, and the artistic transition has a great impact on the future generations.
出处
《台州学院学报》
2011年第4期51-56,共6页
Journal of Taizhou University
关键词
大都会
元代
中国
艺术展
实用美术
戏剧
服装
建筑
Metropolitan Museum of Art
Yuan Dynasty
China
arts exposition
practical fine arts
drama
clothing
architecture
作者简介
李志明（1980-），男，江西金溪人，主要从事艺术设计与理论研究。
