摘要
晚明乐律学家朱载堉在乐律学研究中,承继中国优秀传统文化,崇尚"自然之理",注意把律学研究与传统的天地人合一思想合理地联系起来,提倡以数为本,强调遵循自然法则。但其中的痴迷河图洛书,对祖冲之圆周率的错误批判,又反映出朱载堉作为古代学人的历史局限。
Zhu Zaiyu was a temperament expert in later of Ming Dynasty,and he inherited the Chinese outstanding traditional culture,advocated ＂the principle of nature＂,paid attention to combine the research on the theory of musical temperament with the traditional idea of Heaven-Earth-Man,upheld the number as base,insisted following the natural law in researching on the theory of musical temperament.However,that he obsessed the Hetu Luoshu and error criticized Zu Chongzhi＇s circumference ratio reflected Zhu Zaiyu＇s historical limitation as an ancient scholar.
出处
《黄钟（武汉音乐学院学报）》
CSSCI
北大核心
2011年第2期161-175,1,共15页
Huangzhong:Journal of Wuhan Conservatory of Music
关键词
朱载堉
乐律学研究
河图洛书
以数为本
天地人和谐同构
历史局限
Zhu Zaiyu（1536~1611）
research on the theory of musical temperament
Hetu Luoshu
based on number
harmony with the structure of Heaven-Earth-Man
historical limitation
作者简介
王军（1966～），男，文学博士，中国音乐学院音乐学系副教授，音乐史教研室主任（北京100101）。
