摘要
苏州为清代三大词薮之一,名家辈出,佳篇林立。至于晚近,常州家法风靡天下之际,苏州词界之代表人物陶梁、后吴中七子、宋翔凤、陶然、高翀、黄人等,仍瓣香浙西、阳羡之流韵遗风,或对"浙派"进行调整,或折中"浙"、"常"两派,追踪性灵,以创作实绩勾勒了近代苏州词坛的创作构成和理论祈向。
Suzhou is one of the three centers in Qing Dynasty,where many excellent writers and works of Ci appear.In the Late Qing Dynasty,when style of Changzhou is in fashion,representatives of Ci in Suzhou such as TAO Liang,post seven talent group,SONG Xiang-feng,TAO Ran,GAO Chong,HUANG Ren take on the tradition,adjust the style of ＂School of Zhe＂ or combine the characteristics of ＂School of Zhe＂ and those of ＂School of Chang＂,tracing the essence and defining the composition and theoretical tendency of the Ci circle in Suzhou in Late Qing Dynasty.
出处
《求是学刊》
CSSCI
北大核心
2011年第1期119-125,共7页
Seeking Truth
基金
国家社科基金项目"百年词史研究"
项目编号:10CZW035
关键词
苏州
近代词坛
创作构成
理论祈向
宋翔凤
Suzhou
Ci circle in Late Qing Dynasty
creative composition
theoretical tendency
SONG Xiang-feng
