摘要
作为"叙事"的衍生概念,"叙事性"之于理解叙事的本质与表现、之于叙事研究的方法与目标都有着十分重要的意义。与经典叙事学家极力探求"普遍叙事语法"、划分"叙事"与"非叙事"之间界限的做法相左,后经典叙事学家奉行"叙事无处不在"的"泛叙事"观,由此导致了"普遍叙事性"的产生,即"叙事性"不再是用来严格划分叙事与非叙事之间界限的"区别性特征",而是一切媒介都具有的共同属性和叙事表征。本文主要以修辞叙事学、认知叙事学、女性主义叙事学以及跨媒介叙事学视阈下的"叙事性"为考察对象,希图从方法与媒介的双重层面透视后经典语境下西方叙事学界的"叙事性"研究。
As a central concept of narratology,narrativity plays an important role in understanding the nature,approaches and objectives of narrative studies.To the classical narratologists,who intend to uncover the universal narrative grammar,narrativity is the criterion to draw a clear-cut distinction between narrative and non-narrative;while to the postclassical narratologists,who claim that narrative is everywhere,narrativity is a feature shared by all types of media.The purpose of this paper is to examine the various notions of nar-rativity in postclassical context by taking rhetorical narratology,cognitive narratology,feminist narratology and transmedial narratology as case studies.
出处
《外国文学》
CSSCI
北大核心
2010年第6期99-109,共11页
Foreign Literature
