摘要
南阳汉画像在艺术表现层面有着很强的程式化特征,其中人物形式是典型代表。文章以人物的艺术表现形式为主要内容,予以社会内容层面的解释,从人物的大小比例程式化、画面空间配置程式化、图形表现视角程式化和表现技法程式化(夸张、变形)等四个方面,分析人物形式的程式化进程。
In the respect of artistic expression,Nanyang's stone images of Han dynasty have a strong stylized nature.And stylized art have a great relevance with its social content and meaning.At the same time its social functions tend to stabilized.The Figure form is a typical representative.The thesis further discusses the formalized nature of figure and divides it into four types:the proportion of the figure,screen space allocation,formalized point of view of the pattern expression and presentation techniques(exaggeration and distortion).With Nanyang's stone images as the main content,while giving explaining about the social content level,the thesis comprehensively analyzes the formalized nature of the figure in Nanyang's stone images in the Han dynasty.
出处
《艺术探索》
2010年第4期16-19,共4页
Arts Exploration
关键词
南阳汉画像
人物形式
程式化
Nanyang's stone images of Han dynasty,figures,formalized
作者简介
邢鹏飞（1984-），河北石家庄人，南京师范大学美术学院2008级硕士研究生。研究方向：中国设计史。
