摘要
杜甫与词体的关系素受冷落,然生当盛中唐时期的杜甫,正逢词体萌生、形成的关键时期,其诗歌中的新变因素不仅为新的诗歌风格开辟新途,而且为词体的内质奠定了重要基础。《风雨看舟前落花戏为新句》三首的柔弱的情感、纤小的意象和轻清的语言揭示了其诗中所蕴含的词体神理,将杜甫对于"中唐"诗风的导引和对词体的催生意义彰显出来,并大致勾勒出了杜甫在词史上留下的若干痕迹。追溯词体内质的渐进过程,需要重估杜甫的价值和意义。
The relationship between Du Fu and Ci style was ignored, while Du Fu was living in the glorious and middle period of Tang Dynasty coincided with the critical period of initiation and formation of Ci style. Du Fu＇s new factors in poems were not only exploring the new way to new poetic style, but also laid an important foundation for the internal quality of Ci style. In the three poems of ＂ Writing New Sentences While Watching Fallen Flowers before the Boat in Wind and Rain＂, the delicate emotions, the slight image and clear language reveals the pattern and meaning of Ci contained in his poems, manifested Du Fu＇s guidance to the style of poems in middle Tang Dynasty and expediting Ci style, and outlined Du Fu＇s marks left in history of Ci roughly. It is necessary to re-assess the value and significance of Du Fu, to trace back to the gradual process of retrospective nature of Ci style.
出处
《阅江学刊》
2010年第4期90-95,共6页
Yuejiang Academic Journal
关键词
杜甫
《风雨看舟前落花戏为新句》
词体
中唐
神理
Du Fu
Writing Grew Sentences While Watching Fallen Flowers before the Boat in Wind and Rain
Ci style
middle period of Tang dynasty
meaning
作者简介
彭玉平，男，江苏溧阳人，博士，中山大学中文系教授、博士生导师，主要从事中国古代诗词研究。
