摘要
从图像学的角度来看,唐代宝相花纹经历了一个由简趋繁、化繁为简的变化过程,具有由忍冬纹和石榴纹演化成的"侧卷瓣"、如意云纹演化成的"对勾瓣"、牡丹纹演化成的"云曲瓣"3种花瓣的表象特征。各种构成形式的宝相花纹在属性和外形特征上都具有相似性,它反映了封建社会鼎盛时期的唐代农业、手工业的迅速发展,以及文化艺术的繁荣,其多样的艺术形式承载了丰富的文化内涵,在历史发展的进程中得到了不断地演化和应用。
From the point of view of Iconography, Tang Dynasty Treasure Appearance Floral Lines Pattern has changed through a period from simple to complicated and from complicated to simple. The inclined petal comes from honeysuckle pattern and pomegranate pattern, check mark petal comes from luckiness cloud veins, and cloud winding veins from peony design. These three petals have some commons in presentational symbol, and all kinds of construction form Treasure Appearance Floral Lines Pattern have commons in properties and exterior characteristics, It reflects the agriculture and handicraft industry of great prosperity in Tang Dynasty. The great prosperity of culture and arts has a lot of artistic forms, which contain luxuriant cultural connotation, and have been developing in the process of history.
出处
《包装学报》
2010年第2期73-76,共4页
Packaging Journal
基金
湖南省哲学社会科学基金委托项目(08JD38)
关键词
宝相花纹
米字结构
圆形辐射结构
侧卷瓣
对勾瓣
云曲瓣
Treasure Appearance Floral Lines Pattern
the structure of mi
structure of circular radiation
inclined petal
check mark petal
cloud winding veins
作者简介
作者简介：刘志（1971-），女，湖南株洲人，湖南工业大学副教授，硕士，主要从事艺术伦理方面的研究E-mail：liuzhi0910@163．com
