摘要
审美现代性是一个历史的范畴,不同文化背景下的艺术实践在面对现代性话语冲击时都带着自身的文化身影。中国审美现代性的历史限定性决定着其不同于欧美审美现代性的实质,"四川画派"在20世纪80年代的出现当为典型,它凸现出中国当代艺术在现代化进程中的特殊性。"四川画派"在理念和形式上所体现出的特色,也正是中国艺术现代化的独特性所在。
Aesthetic modernity is a historical category. Artistic practices under different cultural context hold their own culture figures in the face of modem discourse shocks. The historical restriction of Chinese aesthetic modernity determines its substance of aesthetic modernity different from that of Europe and the United States. The emergence of ＂Sichuan School of Painting＂ in the 1980s is typical which highlights the particularity of Chinese contemporary art in the process of modernization. The characteristics of＂ Sichuan School of Painting＂ in concept and form embodied in modem Chinese art is also the unique nature of the modernity of Chinese art.
出处
《四川教育学院学报》
2010年第3期1-3,共3页
Journal of Sichuan College of Education
关键词
审美现代性
四川画派
艺术主体
自觉性
aesthetic modernity
Sichuan school of painting
arts subjects
consciousness
作者简介
鲜益（1962－），男，四川昭觉人，副教授，博士，研究方向：文艺学。
