摘要
词的评点是明清之际才真正发展起来的,这从一个方面促进了词学复兴局面的形成。朱彝尊是清初最重要的词人和词学批评家之一,他的创作展示了清词发展的新思路,而其理论针对明代以来的衰敝之风,提倡南宋,也给时人指出了新的方向。朱彝尊来到词学复兴的中心之一扬州,开始在词坛崭露头角,其重要标志就是开始了词学评点。他所评点的十五家词,作者阵容涵括三代人,体现出对历史的总结,对现实的反映,以及对未来走向的关注。他的评点思想有一个逐渐明确、逐渐清晰的过程,特别是离开扬州以后,开始有意识地宣扬南宋醇雅清空之风,可以和其他理论文字互相印证。同时,他的评点往往针对具体作品而发,因而能够在具体批评中阐发自己的理论,进而给出可行的操作路向。
It was not until the turn of Ming and Qing Dynasties that the punctuation and annotation of Cipoems appeared. This signaled the renaissance of Ci-poetry at the time. As one of the most important Ci composers and theorists, Zhu Yi-zun's artistic creation in Ci-poetry represented a new approach to the composition of Qing Ci-poetry. His theory was recognized by his contemporary Ci-poetry composers as being directional since it targeted at the declining tendency in the society and advocated for the social norm of the Southern Song Dynasty. Zhu Yi-zun emerged as a Ci-poetry writer when he was in Yangzhou, punctuating and annotating Ci-poems. His work on 15 Ci-writers of three generations expressed his reflection on the historical and the present state, and the future development of Ci-poetry. After left Yangzhou, he began to make popular the social norm for being pure,elegant,tranquil, and empty,which is well reflected in his theoretical writings. His comment is never generalized but on some particular works,and consequently he was able to make clear his own theory while doing criticisms and to point out the direction for development.
出处
《南京大学学报（哲学．人文科学．社会科学）》
CSSCI
北大核心
2010年第2期79-88,共10页
Journal of Nanjing University(Philosophy,Humanities and Social Sciences)
基金
南京大学"211工程"三期"中国语言文学与民族文化复兴"子项目"清词研究"
