摘要
在佛教东渐的大文化背景下,经过中国式改造的佛教著名护法神大黑天神信仰亦由中国传至日本。大黑天神信仰在中日戏剧之间搭起一座文化桥梁,它使中日傀儡戏的文化底蕴呈现出惊人的一致性。本文揭示了中国戏神与日本傀儡戏神百太夫之间的共通性,这是进一步认识中日傀儡戏文化底蕴及中日戏剧交流问题的重要契机。
Under the great cultural context of the eastward expansion of Buddhism,Chinese transformed Daikokuten,a household guardian deity in Buddhism,was spread to Japan from China. Daikokuten worship built up a bridge between Chinese opera and Japanese opera. It has made the cultural heritage of Sino-Japanese puppet opera present astonishing consistency. This article is one initial achievement of a research on Sino-Japanese opera god origins,revealing the commonality between the Chinese opera god and the Japanese god of puppet opera,Hyakudayu,which is a golden opportunity for better understanding on the cultural heritage of Sino-Japanese puppet opera,and on exchange problems centered in the Sino-Japanese opera.
出处
《学术研究》
CSSCI
北大核心
2010年第1期144-149,共6页
Academic Research
作者简介
邱雅芬，日本福冈大学日本文学博士、广州中山大学中国文学博士、中山大学外语学院教授、博士生导师（广东广州，510275）。
