摘要
与其他艺术形式相较,木刻具有诸如绘画等艺术形式所没有的视觉冲击力,这恰好为中国军民抗战精神以及事实的反映提供了一种完美的表现形式,于是,在20世纪三四十年代,在国内抗战宣传上已经取得一定成就的情况下,为了使世界民众真实地了解中国抗战的现实境况及中国人民顽强不息的抗战精神,激励和联合全世界爱好和平的人们团结一致,在鲁迅的大力倡导下,中外各国尤其是与苏联展开了积极且颇有成效的木刻艺术交流。
Compared with other art forms such as painting, woodcut has the unique visual impact. It provides a perfect manifestation for the Anti-Japanese War spirit of the Chinese people. Therefore, during the 1930s and 1940s, in the case of some success in domestic war propaganda, under the advocating of LunXun, communication of woodcut art was carried out between China and foreign countries, especially with USSR so as to let people of the world learn about the real situation Chinese people＇s indomitable spirit of the Anti-Japanese War and to encourage all peace loving people to unite.
出处
《西南大学学报（社会科学版）》
CSSCI
北大核心
2009年第6期160-166,共7页
Journal of Southwest University(Social Sciences Edition)
关键词
木刻
鲁迅
交流
抗战宣传
woodcut
Lu Xun
communication
Anti-Japanese War publicity
作者简介
谢春（1975-），女，四川绵阳人，清华大学美术学院，博士后，主要研究中国美术史。
