摘要
审美批评就是以审美为圭臬的文学批评。在审美批评中,艺术隐喻不是一种文学修辞,而是一种艺术思维方式。艺术隐喻作为批评的渡河之筏,不但实现了批评主体与批评对象的契合,而且使批评主体在审美体验与人生感悟的传达中自然而然地揭示了批评对象的审美特征与艺术水准。艺术隐喻是实现审美批评文本文学意味的心理桥梁,也是实现人性共鸣的中介。
Aesthetic criticism is the literatural criticism that takes aesthetic as a standard. In the Aesthetic criticism, art metaphor is not a kind of literatural rhetoric but a kind of thought. As the raft of criticize, art metaphor not only realize the agreement of object and subject of criticism, but also let critical object open out the aesthetic character and art level of critic subject naturally in the communication of aesthetic experience and life sense. Art metaphor is also the mentality bridge of realizing the text means of aesthetic criticism, at the same time it is the agency of realizing human resonance.
出处
《福建师范大学学报（哲学社会科学版）》
CSSCI
北大核心
2009年第4期75-79,共5页
Journal of Fujian Normal University:Philosophy and Social Sciences Edition
基金
陕西省艺术科学规划项目"艺术隐喻的审美价值研究"阶段性成果
项目编号:陕艺课题(2008)年029号
关键词
审美批评
艺术隐喻
审美体验
人生感悟
aesthetic criticism, art metaphor, LI Jianwu, aesthetic experience, life sense
作者简介
王衡（1978-），男，陕西宝鸡人，渭南师范学院中文系教师，主要从事文艺理论及现当代文学的教学与研究工作。
