摘要
王建民是20世纪80年代以后所涌现的著名作曲家,他创作的二胡音乐作品,深受专业音乐院校学生和青年二胡演奏家的喜爱,而其中的三首二胡狂想曲,更是近年来重要二胡比赛,各级音乐院团考试和音乐会必演曲目之一。本文通过对王建民二胡狂想曲的创作与演奏分析,试图探求当今二胡音乐创作与演奏技术间的关系和发展现状,分析论述音乐表演技术的发展与音乐创作的紧密相连度和相互促进共同发展的互动状态。
Wamg Jianmin is a Chinese composer got people known since 1980s, and his erhu music composition are both music students and youth players favorite, especially three erhu rhapsodies, which are the required repertoire for concert and exam as well as the important erhu competitions. Through the analysis of Wang Jianmin＇s erhu rhapsody with the creation and performance, the article explored the relationship between creation and playing technique in erhu music, its actuality of developing, discussed the music performance technique with music creation, and the Interactive state for both ot them evolutive together.
出处
《黄钟（武汉音乐学院学报）》
CSSCI
北大核心
2008年第4期160-167,共8页
Huangzhong:Journal of Wuhan Conservatory of Music
关键词
王建民
二胡狂想曲
创作
演奏技术
Wang Jianmin
erhu rhapsody
composition
performance technique
作者简介
汝艺(1963-),男,文学硕士,上海音乐学院民族音乐系教师、录音工程师(上海200031)。
