摘要
20世纪50年代以来,时人评及谢灵运山水诗往往以其"又常常拖着一条玄言尾巴"为憾,似已成为公论。本文旨在挖掘谢灵运山水诗之丰富情感内涵的基础上,在与同时期文坛山水诗创作的比照中,论证谢灵运山水诗之玄理与山水之景在诗人生命情感的统摄中交融统一,而非牵强累赘之物。
It seems universally acknowledged that landscape poems by Xie Ling- yun have had a ＂metaphysical tail＂ since the 1950s. This paper aims to explore the rich feelings of landscape poems by Xie Ling -yun so as to prove the unity between his metaphysical theory and beautiful views in the control of his life and feeling in contrast with other poems of the likeness in his time.
出处
《河北学刊》
CSSCI
北大核心
2008年第3期116-119,共4页
Hebei Academic Journal
关键词
玄言尾巴
玄理
心灵
解脱
融合
metaphysical tail
metaphysical theory
soul
disengagement
unity
作者简介
许芳红（1970-），女，江苏省淮安市人，南京大学在读博士生，淮阴师范学院讲师，主要从事唐宋文学研究。
