摘要
厅壁记在唐代曾盛极一时,却并未引起当今学界的注意。厅壁记起源很早,然其成为文之一体,当始于初唐。厅壁记主要有史记和劝惩两方面的功能。其辞尚"体要",多数结构可作三段分析。强烈的感情、鲜明的人物形象、优美的景物描写体现了优秀厅壁记的文学性。唐代厅壁记的发展可分前后两期:初盛唐为前期,以李华为代表,以颂美为主;中晚唐为后期,以沈亚之为代表,多反映社会现实。
Ting Bi Ji, a style of articles, was fashionable in Tang dynasty. But academia has not paid enough attention to it. It emerged early and became a style of article in the early days of Tang with two functions： history recording and warning for wrong-doing. Brief as they were, most of them could be divided into three parts. Some Ting Bi Ji were excellent literary writings. And they expressed strong feelings with vivid description. Generally speaking, there were two stages in the development of Ting Bi Ji. On the former stage delegated by Li Hua, its main function was to praise; and on the latter stage represented by Shen Yazhi, its function was to reflect social reality.
出处
《四川大学学报（哲学社会科学版）》
CSSCI
北大核心
2008年第3期133-137,共5页
Journal of Sichuan University：Philosophy and Social Science Edition
关键词
唐代
厅壁记
记体散文
Tang Dynasty
Ting Bi Ji
chronicle prose
作者简介
刘兴超（1972-），四川简阳人。四川大学文学与新闻学院博士研究生，广西师范学院教师。
