摘要
凌力不是传统男性主义的接续者,也不是西方女性主义的趋同者。她对历史的演绎既有女性写作的共同特点,也具有一般女性主义历史小说作品所缺少的那种大开大阖的气度和纵深理性思辨的特点。凌力对女性的生存状况和命运也给予了格外关注,但在处理女性如何进入历史的问题上,她显得更加客观和清醒,不大主动将自我的主观意识强加在她们身上。在创作方法上,凌力与大多数女性主义历史小说作家不同,更多秉承现实主义,并在此基础上加入了女性化的成分,开创了女性现实主义的叙事风格。
Ling Li is neither an inheritor of traditional male chauvinism nor a proponent of western feminism, thus her deduction of history is characterized by not only the common features of female writing but also the grand manner and the in-depth philosophical rationality not found in universal historical novels of feminism. Coupled with her special interest in the living circumstance and destiny of females, Ling Li appears more objective and sober-minded in the narration of females in history, and she would not take initiative to impose her personal subjective consciousness on female characters in her novels. As regards writing approaches, unlike most writers of feminist history novels, Ling Li has initiated the narrative style of female realism by inheriting realism and incorporating some feminine elements.
出处
《海南师范大学学报（社会科学版）》
2007年第5期50-54,共5页
Journal of Hainan Normal University(Social Sciences)
关键词
女性与超女性
历史与女性互动
女性现实主义
females and superfemales
history and female interaction
female realism
作者简介
吴秀明（1952-），男，浙江温岭人，浙江大学中文系教授，博士生导师，主要从事中国现当代文学研究。
戴燕（1980-），女，浙江杭州人，文学硕士，中国美术学院公共课教学部教师，主要从事中国现当代文学研究。
