摘要
通过对沈从文笔下的不同女性形象及创作态度的分析,指出了作家对女性的态度和认知的复杂性,尤其是在对女性的抒写上有一个明显的分离和整合的过程。沈从文在创作后期试图用一种基于生命的美学观点来整合自己创作中的这种矛盾和分歧,从而使其笔下的乡村和都市具有了某种内在的统一性,构成了一个独特而自足的艺术世界。
Based on an analysis of different feminine images and the artistic attitude of Shen Congwen in his works, this paper points out the writer to the complexity in his attitude to and cognition of feminine characters. A distinct process of integration and disintegration is characteristic of his works. In the later period of his creation, Shen attempted to solve the contradiction and difference, thus caused the metropolis and the village to acquire some intrinsic unity.
出处
《西南农业大学学报（社会科学版）》
2007年第5期128-131,共4页
Journal of Southwest Agricultural University:Social Science Edition
关键词
沈从文
女性形象
女性观
Shen Congwen
feminine image
outlook on women
作者简介
张体坤（1981-），男，河南开封人，陕西师范大学硕士研究生，研究方向：二十世纪文学思潮。
