摘要
《葬花吟》是《红楼梦》中林黛玉的诗歌代表作。该诗出现在小说的第27回:"滴翠亭杨妃戏彩蝶,埋香冢飞燕泣残红"。虽然黛玉写过别的诗词,但它们都无法与《葬花吟》相媲美。这不仅因为它是黛玉最长的一首诗,还因为它为其他诗定下了基调。它浸透着一种黛玉式的特有的凄婉哀伤。《葬花吟》因其精湛且高超的艺术价值值得挖掘和探讨。本文运用诗歌翻译中的"三美"理论对杨宪益与戴乃迭夫妇、大卫.霍克斯《葬花吟》两种英译文进行比读和赏析。
Zang Hua Yin, the masterpiece of Lin Daiyu, appears in the 27^th chapter of A Dream of Red Mansions （Yang＇s Version）entitled ＂Beauty Perspiring Sports with Butterflies by the Raindrop Pavilion; And Beauty Suspiring Weeps for Fallen Blossoms by the Flowers＇ Grave＂（David Hawks version）. Although Lin Daiyu also composed other poems, none of them can be matched with this one for two reasons： for one thing, it is the longest of her poems; for another, it sets the keynote for all others. A feeling of sadness and grief characteristic of Lin Daiyu permeates this verse. Its consummate crafts and superb artistic values well deserve our research and probe. This article aims to employ ＂the Three-Beauty Theory＂ to undertake contrastive reading and appreciation of its two versions respectively by Yang Xianyi and David Hawks.
出处
《外语教学》
CSSCI
北大核心
2007年第5期91-94,共4页
Foreign Language Education
关键词
《红楼梦》
《葬花吟》
诗歌翻译
“三美”理论
A Dream of Red Mansions
Zang Hua Yin
Translation of verses
Three-Beauty Theory
作者简介
刘肖杉，西安财经学院公共外语部讲师，主要研究方向：翻译，跨文化交际等。
