摘要
通过对中国古代文人写意园中绘画与园林两种艺术形式的密切联系之叙述,揭示出古典文人写意园所具有的“以画入园”这一美学规律,进而说明古典文人山水园与绘画是相互补充、相互借鉴的共生关系,中国古代的山水园强调与绘画的互渗与交融,将绘画原则转借到园林的建造上,使园林艺术与山水画艺术有机地统一起来,二者互为依存,携手并进,形成一种有机互动之结构,从而创造出独特的中国园林意境。
The aesthetic law of ＂garden as painting＂ of classical literati impressionistic gardens is unveiled through the description of the close relations between the two art forms of painting and gardening. And then it is explained that the garden and painting is complementary to each other, and the garden focuses on the seeping and blending with painting. The principles of painting are transferred into the construction of gardens and the two arts formed a dynamic and interactive structure, which created unique Chinese garden conception.
出处
《中国园林》
2007年第3期60-64,共5页
Chinese Landscape Architecture
关键词
风景园林
文人写意山水园
研究
“以画入园“
艺术境界
Landscape Architecture
Literati Impressionistic Garden
Study
Garden as Painting
Artistic Realm
作者简介
刘晓陶，1970年生，女，辽宁锦州人，硕士，北京联合大学讲师（北京100735）
黄丹麾，1966年生，男，吉林榆树人，博士、教授，《荣宝斋》杂志编辑（北京100735）
