摘要
文学符号是能动的文化符号。现代诗以胡适为起点,在文化“工具革命”的意义上通过否定传统诗的格律化,还原诗的自由表达功能,实现了“要须作诗如说话”的文化解构理想(文化上的“雅”、“俗”易位)。现代小说以鲁迅及其《狂人日记》为起点,在文学语言功能的建构上并非以采用白话为目的,而是以适于自我表达的口语化为目标:传统小说的“说”变成了现代小说的“写”。这表明,新、旧文学变革并非单纯文化上的“雅”“俗”易位问题。
The literature symbol is a kind of initiative cultural symbol. The modern poem takes Hu Sift as a beginning, in the significance of culture ＂tool revolution＂, through the denial of the traditional Chinese poetry roles, the Chinese modern poem returned to the function of expressing freely, realized the ideal of cultural de - construction which requiring ＂writing poem likes speaking＂ （the transposition of ＂elegant＂ and ＂vulgar＂ in culture.）. The modern novel takes Lu Xun and his ＂Diary of a Lunatic＂ as a beginning, in the construction of the literary language function, the modern novel was not to use the vernacular as the goal, but looking for a kind of suitable spoken language for the self - expression . The ＂saying＂ in the traditional novel was turned to ＂writing＂ in the modern novel. This indicated that, the transformation of new and old literature was not the simple transposition of ＂elegant＂ and ＂vulgar＂ in the culture.
出处
《中国文学研究》
CSSCI
北大核心
2007年第1期24-28,共5页
Research of Chinese Literature
关键词
符号
胡适和鲁迅
现代诗与小说
发生史
Symbol
Hu Shi and Lu Xun
the modern poem and novel
the history of occurrence
作者简介
周仁政（1962-）男，湖南津市人，湖南师范大学文学院副教授，文学博士，主要从事中国现当代文学研究。
