摘要
本文考察了莫高窟北朝石窟禅窟和中心柱窟,并比较印度、中亚以及中原地区同类洞窟形制的异同,探讨了敦煌禅窟和中心柱窟的源流问题。阐明了敦煌石窟在接受了印度及西域的影响下,继承了河西佛教艺术的传统又形成了自身的特点。
By a careful study of all of two main types of the Northern Dynasties' caves in Mogao Grottoes: the meditation cave and the cave with the central pillar and making a comparative study extensively to those of the same types and belong to the same chronology time that were found not only in other places in the central plain of China, but in the Central Asia, India as well, this article attempts to discussing the origin source of the two construct style that were present popular in Dunhuang Grottoes. At the same time, this article have clarified that the construct style of the two types of Dunhuang Grottoes had once received strong influence under the India and The Central Asia, and it had also showed the strong traditional trend of Hexi Corridor Buddhist style, and had set forth the new element into the creation of Buddhist grottoes art at Dunhuang.
出处
《敦煌研究》
CSSCI
北大核心
2006年第5期1-15,117-119,共18页
Dunhuang Research
基金
教育部人文社会科学重点研究基地2004年度重大研究项目"敦煌北朝石窟美术史研究"(05JJD770011)
作者简介
赵声良（1964-），云南省昭通人，敦煌研究院研究员，编辑部主任，文学博士，研究方向为中国美术史。
