摘要
在日本传统艺术中，无论是绘画还是建筑都表现着一种特有的不对称与非实体性，这一特征在当代日本建筑中仍有体现．通过分析当今日本有一定影响力的作品，指出不对称性与非实体性存在的必要性，并从理论上总结了其内在的规律．
As traditional characteristics of Japanese painting and architecture,asymmetry and unsubstantiality remain to be embodied in contemPOrary architecture.Through these characteristics,the author learns the spiritual qualities differentiating Japanese architecture from western one.By analysing some influencing works on Japanese architecture,the necessity of asymmetry and unsubstantiality in today's architecture is demonstrated,and their inherent law is theoretically summed up.
出处
《华侨大学学报（自然科学版）》
CAS
1996年第4期379-383,共5页
Journal of Huaqiao University(Natural Science)
关键词
日本
不对称性
非实体性
建筑艺术
Japanese archite,tradition,asymmetry,unsubstantiality
