摘要
莎士比亚戏剧混合运用浪漫主义、现实主义、象征主义方法,调动多种艺术手段凸现优化人性、“以人为本”的伦理道德体系,追求真善美一体之终极道德伦理乌托邦,虽然由于缺乏科学的发展观和主客观条件的局限而难以兑现,却又是非常吸引人的美好幻想。这种道德伦理体系,正是建立在人性平衡的规律上,戏剧诗人的道德理想及其对善恶界限的划分,也正是出于他对普遍人性的质朴的辩证观察。莎士比亚理想的人性,还可说是作为个体的人和整体的人在自然属性和社会属性上的平衡和充分圆满的实现。这一切无疑会引起当代人的思考与共鸣,而且对现代社会主义伦理道德教育仍有积极的现实意义。
manticism, Shakespeare＇ realism and s plays have combined multiple modes of artistic expression such as rosymbolism in the construction of a man-centred ethical system, an ultimate ethical utopia where truth, good and beauty are harmoniously unified. Though such a utopia is unlikely to be realized due to the playwright＇ s lack of a scientific view of development and the restrictions of his time, it is still an attractive dream. Shakespeare＇ s ethical ideal and his moral standards are based on his dialectic reflections of humanity, so his ideal ethical system is built on the balance of humanity. An ideal man to Shakespeare＇ s mind is a balanced man with both his natural and social natures fully realized. Shakespeare＇ s dream of constructing an ethical utopia is of great practical significance to the socialist moral education, for it can certainly invoke the modem people ＇ s reflections and echoes.
出处
《外国文学研究》
CSSCI
北大核心
2006年第2期18-31,共14页
Foreign Literature Studies
