摘要
清代女性的小说通俗文学是在特定社会历史条件下女性身份和女性意识的产物。与西方女性小说比较,可以更加清楚地观照其特征。清代女作家虽然已经具有了呈现自我意识、实现自我价值的冲动和愿望,但在与男权文化的抗争时却表现得软弱无力。这既与女作家身处的时代社会有关,又受制于她们自身对男权文学陈规的顺应和屈从。对韵文文体的社会文化含义的深刻认同、女性自我意识的遮蔽、人文精神的缺失、审美功能的淡化,构建了清代女性通俗文学写作的悲剧性情境。
Popular literature of women writers in Qing Dynasty is products of female identification and female consciousness against special historical background. When compared with novels of western women writers, its characteristics can be clearly seen. Although women writers in Qing Dynasty have already had the impulse and desire to show their self-awareness and self-worth, they are weak and feeble in struggling against male chauvinism. It is not only related to the ages they lived in, but also essentially linked with their submission and yieldance to male-dominant literature. Deep recognition of social implications of verse-type literature, hiding female＇s self-awareness, lack of humanism and weakening of the function of aesthetics indicate the tragic environment for popular literature writing of women writers in the dynasty.
出处
《南京师大学报（社会科学版）》
CSSCI
北大核心
2006年第2期133-138,160,共7页
Journal of Nanjing Normal University(Social Science Edition)
作者简介
张芙蓉（1968-），女，南京师大文学院博士生，江苏大学人文学院讲师。
