摘要
作为非物质文化的民间美术是一种长久被忽视的活态文化传统,其分类学方面的研究现状仍是十分薄弱和滞后的。这使民间美术研究和教学缺乏应有的学术基础,也使正在兴起的非物质文化保护传承事业缺乏系统有序的文化参照。就此问题梳理出“五四”新文化运动以来民间美术研究的大致发展线索,并列举了建国以来有代表性的民间美术分类模式,提出以田野调查为基础的分类研究方法,倡导多元的分类研究学术实践。
Folk art, as a kind of intangible culture, is a living cultural tradition that has been long neglected. The classification study of it is rather backward and weak. So the study and teaching of folk art lack academic foundation, and moreover, the arising of intangible culture protection and inheritance can hardly find a systematical cultural reference. Concern- ing this subject, this paper combs out the developing line of folk art study since the May 4th New Cultural Movement （ 1919）, enumerates typical classifyication modes of folk art since the founding of P. R. China （ 1949）, comes up with the classification method based on field researches, and advocates multi-entities academic practice in classification study.
出处
《天津大学学报（社会科学版）》
2006年第2期123-126,共4页
Journal of Tianjin University：Social Sciences
关键词
活态文化传统
人性化分类原则
列举与归类
田野调查基础
多元分类研究
living cultural tradition
human-oriented classifying principle
enumeration and classification
field researchfoundation： multi-entities classifying study
作者简介
乔晓光（1957-），男，硕士，教授
