摘要
文章是对20世纪复调技法的不同倾向及多样化形式进行的系列研究之一。作者以20世纪初音乐中广泛使用的线性对位为研究对象,对其内容、概念特征、历史渊源以及和声基础进行研究,并对这一时期代表性作曲家及其作品进行案例分析,同时,将其与传统复调技法加以比较,对20世纪线性对位这一复调技法进行了理论探讨。
The article was one of serial researches on technique of counterpoint in 20th century. Taken the linear counterpoint, which popular used in the early of 20th century, as an object of research, the writer discussed its content, features of conception, historical source, as well as harmony foundation, and analyzed some representative composers with their works. Furthermore, compared with the traditional eounterpoinl leehnique, the writer made academic discussion on the linear counterpoint in 20th century.
出处
《黄钟（武汉音乐学院学报）》
CSSCI
北大核心
2006年第1期3-11,共9页
Huangzhong:Journal of Wuhan Conservatory of Music
关键词
线性对位
复调技法
线条型对位
和声型对位
不协和独立
linear counterpoint, technique of counterpoint, harmonizing counterpoint, emancipation of the dissonance
作者简介
刘永平（1957～），男，武汉音乐学院作曲系教授、副院长（武汉430060）。
