摘要
中国古代绘画美学源远流长,在理论和实践两方面都有重要的价值。清代画学集前代之大成,著述既多,研讨亦深,且四通八达,自成体系。其中,虚实观念是一条主脉,既牵连着诸家要旨,也表达出清人对绘画艺术的理解以及对传统绘画美学思想的发扬光大。本文着眼于清代画学里虚实观念的来龙去脉、绘画理论批评的种种表述,及其在“道”与“技”的各个层面衍生出的概念和命题,借以对清代画学中的虚实观有一个完整把握,并由此领会中国传统绘画美学的精神和特色。
2005 is the 200th anniversary of Friedrich Schiler＇ s death whom Heinrich Heine called as ＂a fighter, who destroyed the spiritual Bastilles. ＂ This article would sketch the whole life of this great German poet, dramatist, historian and philosopher while the important writings in different stages of his life will be mentioned and his struggles not only for the freedom of the German people but also for the liberation of all the oppressed people all over the world will be described. He became so famous as an anti-feudalistic fighter that the French revolutionary government decided after the revolution of 1789 to give him as well as George Washington the honorary citizenship of Republic of France. Schiller was enthusiastic about the French Revolution, but the abused violence of the revolutionary leaders and the massacre of numerous innocent men and women made him change his attitude toward the French Revolution and led him to write a lot of aesthetic articles, among which ＂The Letters on the Aesthetic Education of Man＂ is the most significant.
出处
《同济大学学报（社会科学版）》
2005年第6期100-105,共6页
Journal of Tongji University:Social Science Edition
关键词
虚实
气韵
有无
境界
Schiler
revolt the tyranny
the French Revolution
the aesthetic education
spirit
作者简介
张方（1961-），男，湖北武汉人，解放军艺术学院文学系系主任、教授
