摘要
中国现代诗学有“实用”和“审美”两种理性,其雏形以梁启超和王国维为代表。这两种理性的生成既有其特定的社会成因、文化转型背景以及西方哲学思想的影响,又有其个人身心气质和经历的原因。这两种诗学理性决定着中国现代诗学的基本状态。
The two Logos of China modem poetics, practicality and aestheticism, were first developed by the literary workers such as Liang Qi-chao and Wang Guo-wei. The birth of the Logos was not only resulted from the specific society, the changing culture and the influence of the western philosophy thought, but also from the literary workers＇ personal quality and experience. Those two poetic Logos forms the basic status of modem China poetics.
出处
《重庆三峡学院学报》
2005年第4期32-35,50,共5页
Journal of Chongqing Three Gorges University
关键词
诗学理性
实用
审美
生成
影响
poetic Logos
practicality
aestheticism
birth
influence
作者简介
谢应光（1964-），男，重庆开县人，重庆三峡学院中文系副寂授，博士。
