摘要
受中国传统诗学发愤著书说的影响,中国古代文人创作历史剧时有着强烈的情感倾向:抒发作者科场蹭蹬、知己难遇、去位巷处的忧愤之情。情感支配创作心态,进而表现为历史剧创作中题材选择的现实写照性与主旨表达的自喻性、补偿性。文人创作的历史剧不仅展示了历史剧作品所描写的既往历史,也反映了文人剧作者身处其中的当代史以及文人剧作者个人的命运史。
Affected by writing from anger in Chinese traditional poetics, Chinese ancient historical dramas written by literators had strong emotion trend which were sorrow and anger because they were frustrated in career, hadn＇t bosom friends, and dismissed to staying home and otherwise. Dominated by emotion, literators＂ writing intention leaded realistic portraiture in selecting subject matter and personal comparison and compensation in expressing idea. From this sense, literators＂ historical dramas not only shew the past history described in dramas, but also reflected the contemporary history that the literators were in and the history of their fortunes.
出处
《河南师范大学学报（哲学社会科学版）》
北大核心
2005年第5期136-139,共4页
Journal of Henan Normal University(Philosophy and Social Sciences)
基金
全国艺术科学"十五"规划国家青年基金项目(03CB065)
关键词
中国古典史剧
发愤著书说
现实写照
自喻
补偿
Chinese ancient historical dramas
writing from anger
realistic portraiture
personal comparison
compensation
作者简介
孙书磊（1966-），男，江苏连云港人，文学博士，南京师范大学文学院副教授。硕士生导师，主要从事戏剧戏曲学、中国古代文学研究。
