摘要
近代宋诗运动前驱郑珍之山水诗,以描写黔、湘山水景物、“凿破南荒千古閟”,于近代诗坛独树一帜。其人生前期以纯山水诗居多,后期则与君国忧及战乱紧密相连,但与政治改革无涉。其山水诗风格以平易自然为主,又不拘一格,至于人评其诗“生涩奥衍”,只是其风格之一而已,不可以偏概全。郑珍山水诗在艺术表现上颇多独创之处。
Zhengzhen, the forerunner of the movement on the poems of Song Dynasty in modern era, whose poems are mainly on the landscapes in Hubei and Hunan province, Zhengzhen developed a school of his own because he mainly described sceneries in the wilderness. During the former part of his life, most of his poems were about pure landscape while his afterlife was closely related to the worries of his country and the wars but his poems in this period had nothing to do with political reform. Most of his poems are plain and natural but they by no means stick to one pattern. Some people think his poems are obscure and abstruse but that is just one of his writing styles so we can not take a part for the whole. Zhengzhen made a lot of unique changes in the art manifestation of his poem.
出处
《齐鲁学刊》
北大核心
2005年第4期77-82,共6页
Qilu Journal
基金
江苏哲学社会科学十五规划项目(J3-010)。
关键词
郑珍
山水诗
平易自然
生涩奥衍
Zhengzhen
landscape poems
plain and natural
obscure and abstruse
作者简介
王英志（1944-），男，吉林长春人，苏州大学学报编辑部编审，博士生导师。
