摘要
刘震云的“故乡系列”包括《头人》、《故乡天下黄花》、《故乡相处流传》、《故乡面和花朵》等中长篇小说。通过对作家创作动机以及作品潜在主题意蕴的探讨,可以得知这一系列小说创作,在某种意义上表达出对于“意义”本身的刻意放逐。
This thesis tries to make an inquiry into Liu Zhenyun's intention of writing and the topic potential meanings of the novels through a thorough probing to Liu's long novels which were about his home villages. It is thought by the author that the writings of Liu's home-village novels show Liu's exiling of meaning intentionally.
出处
《贵州师范大学学报（社会科学版）》
2005年第2期98-103,共6页
Journal of Guizhou Normal University(Social Sciences)
关键词
戏仿
异延
乡村荒野
parody
difference
wasteland
