摘要
在中国山水画的发展过程中 ,黄宾虹是一个继往开来的重要人物。他在山水画创作中注重视觉感受 ,把客观的视觉印象与心象相结合 ,拓展了中国画的创作思路 ;以笔墨替代色彩 ,营造出了大自然中光与空气之感 ,进一步开掘出笔墨的表现力 ;在画面中减弱客观物象的物理结构 ,加强视觉整体感 ,使画面呈现出丰富多彩的面貌和浑厚华滋的风格特点 。
As a key personality in the course of development of Chinese pastural painting, Huang Binhong played an indispensable part by carrying forward the established traditions and developing new ones of his own. In his practice of pastural painting, Huang stressed visual impression and combining objective visual impression with mental temperament, considerably extending the horizon of vision of Chinese painting. Instead of colours, he used Chinese ink to express his impression of light and air in nature, further strengthening the power of expression of brush and ink. In his paintings, he deliberately undermined the physical structure of the outer world and intensified the visual sense of wholesomeness, giving a rich and colourful scene and a simple and vigorous style to his paintings. As a result, Huang’s Chinese paintings show some similarities to impressionistic landscape paintings.
出处
《陕西师范大学学报（哲学社会科学版）》
CSSCI
北大核心
2005年第2期44-47,共4页
Journal of Shaanxi Normal University(Philosophy and Social Sciences Edition)
关键词
印象派绘画
黄宾虹
山水画
impressionistic painting
Huang Binhong
pastural painting
