摘要
文章通过梳理有关琴歌和筝歌音乐文献,对两者在弹唱曲中具有典型性的表现形式进行了探讨。在归纳有辞无谱、有辞有谱的琴歌和唐传筝曲衍生的筝歌的基础上,分析了弹唱曲中“以辞和曲”和“以腔融辞”两个类型的构成情况,以及琴歌、筝歌在弹唱实践中“声”与“韵”的演变规律。
Through organized the music materials related to qin-songs and zheng-songs, the papers discussed both of their typical representative forms in tan-chang(playing-singing)tune: chose words suit to tune and given tune harmonize words, as well as the evolvement rule of tone and flavour in tan-chang tune of qin-songs and zheng-songs.
出处
《黄钟（武汉音乐学院学报）》
CSSCI
北大核心
2005年第1期107-109,共3页
Huangzhong:Journal of Wuhan Conservatory of Music
关键词
弹唱曲
琴歌
筝歌
以辞和曲
以腔融辞
tan-chang(playing-singing)tune, qin-songs, zheng-songs, chose words suit to tune, given tune harmonize words
