摘要
鲁迅的作品中,有许多具有现代意义的模式,且这些模式在当代文学创作中反复出现。在“看/被看”这一模式中,残雪是唯一一位把“看/被看”模式消解到底的作家。比如,她在《突围表演》中描写的三个意味不同的裸体表演场景,就是对鲁迅《复仇》中提出的“表演者/观看者”之间关系的颠覆性质疑与逆转性深化。
In comparison with Canxue's book Performance on Break-through and Luxun's book Revenge, this article mainly analyzes the different patterns of description on the actors and audiences. In Canxue's book, the writer of which is a representative of the writers in the new period, the three different scenes which have different models of 'seeing and seen ' are the further dissolution of that of Luxun's on the conflict between actors and audiences. And by comparison and analysis people can find that the modern writers have both inherited and doubted the thought reflected in Luxun's book.
出处
《湖北大学学报（哲学社会科学版）》
北大核心
2005年第1期77-80,共4页
Journal of Hubei University(Philosophy and Social Science)
关键词
看
被看
模式
seeing
seen
pattern of description
