摘要
本文将中国单簧管作品分为实验期、摸索期、成熟期、新时期,并对其创作与演奏进行了详尽的理论阐述与分析。认为无论采用传统还是现代创作技法,都应继承我国传统音乐的特点,使之具有鲜明的中国特色。从演奏上应借鉴民族乐器的演奏技法,开拓中国单簧管独特的演奏风格,以产生中国单簧管经典作品,并建立中国单簧管学派。
The paper divides China s clarinet works into periods of experimental,exploring,mature and the new era,and gives a detailed theoretical explanation and analysis of the creation and performance.It holds that the characteristics of traditional Chinese music should be carry on by using traditional or modern creative techniques so as to have a distinctive Chinese characteristic.When playing the clarinet,performers should learn from the playing techniques of national instrument,explore the unique playing style o...
出处
《浙江艺术职业学院学报》
CSSCI
2010年第1期46-52,共7页
Journal of Zhejiang Vocational Academy of Art
关键词
中国单簧管作品
中国单簧管学派
单簧管民族化
Chinese clarinet works
Chinese clarinet schools
nationalization of clarinet
