摘要
尽管“纯诗”作为一种诗歌理想一直是诗人所难以企及的,而且,由于文化传统、中外文化的差异,“纯诗”理论在进入中国之后就势必要发生一定的变化。但是,必须承认的是,现代诗人对“纯诗化写作”的追求还是为中国新诗艺术的不断精进与提升做出了重要的贡献。因而,梳理“纯诗化写作”在中国的介入、生成、本土化以及其显隐的发展过程,不但可以揭示20世纪中国新诗发展中存在的一些问题,同时,也肯定会为反思新诗的历史以及新诗的未来发展提供一定的依据。
Although 'pure poetry' as an ideal has been beyond the easy reach of peots, the theory of 'pure poetry' has surely undergone some changes after its introduction into China due to the differences between China and western countries in cultural traditions and cultures. However, it must be admitted that modern poets in their pursuit of 'the purely poeticized writing' have contributed much to the constant improvement and elevation of the craftsmanship of Chinese new verse. Therefore, by reviewing and sorting out the initiation, formation, localization and its covert process of development, one can not only reveal some problems in the development of 20th-century Chinese new verse but also surely provide some bases for reflections on the history of new verse as well as for the prospective development of new verse.
出处
《海南师范大学学报（社会科学版）》
2006年第3期79-83,共5页
Journal of Hainan Normal University(Social Sciences)
关键词
纯诗
纯诗化写作
pure verse
purely poeticized writing
作者简介
张立群(1973-),男,辽宁沈阳人,首都师范大学中国诗歌研究中心文艺学方向博士研究生.
