摘要
建安七子的文学创作及其文学史地位,一般只被看作三曹创作的附庸．其实,他们的创作具有独特成 就．文章从“汉音”与“魏响”的精神实质和不同表现角度关照建安七子的创作及其文学史地位.其创作在艺术表 现和情感内容2个方面都体现了从“汉音”到“魏响”的历史传承．从大的方面看,是从两汉以上到魏晋以下的过 渡;从小的方面看,是从曹操到曹丕、曹植的过渡．
Jian anqizi s literal works and their historical position have been regarded as the mere handmaid of the Three Caos literal works generally. In fact, their works have the unique achievement. This article tries to study Jian anqizi s literal works and their historical position from the essence and expression of the "Hanyin" and "Weixiang" in the artistry and essence. They works reflect the historical transmission from the "Hanyin" to the "Weixiang". And they are the transition of literature from the Two ...
出处
《北京工业大学学报》
CAS
CSCD
北大核心
2005年第S1期116-120,共5页
Journal of Beijing University of Technology
关键词
建安七子
汉音
魏响
文学史地位
Jian anqizi
Hanyin
Weixiang
historical position of literature
