摘要
本文意在阐释"快"的诗学内涵,同时对其在诗学批评中的特殊位置、确定和展开情况进行分析、勾勒。由于语义复杂,"快"作为诗学术语,不能简单地划分到某一类诗学范畴中。它自唐代进入诗评领域,在宋代被广泛使用,同时诗家对其也开始了理论反思,至明清时期,在频繁运用中,反思指摘之论渐多。在进行诗学批评时,"快"的正面涵义丰富,体现在创作上的下笔迅快,风格上的语辞流利,节奏快畅并以此显现出清逸俊爽的明朗色调,在抒情说意上又是表示一种直接、直白的表达、书写方式。尽管如此,"快"因为易缺乏委曲沉著之致也常为诗家所诟病。它虽称不上是诗史演变的风标,但也一定程度上反映了诗家审美取向的转变。相比其他诗学范畴,"快"的正面价值可以涵盖整个诗歌创作到接受的过程,可以形容整个过程的美感,这也正是"快"这一诗学批评术语最为特殊的价值所在。
The purpose of this paper is to explain the poetic connotation of"Kuai"(快),and analyze its special position and development in poetic criticism.Because of its complicated meaning,"Kuai"(快),as a poetic term,cannot be simply divided into a certain category of poetics.It has been widely used in Song Dynasty since it entered the field of poetry review in Tang Dynasty.At the same time,poets began to reflect on it in theory.In Ming and Qing Dynasties,there were more and more theories of reflection and criticism in its frequent use.In the process of Poetics Criticism,the positive meaning of"Kuai"(快)is rich,which is reflected in the quick writing,fluent language,fast rhythm and clear style.In the lyric sense,it is a direct and straightforward expression and writing style.However,"Kuai"(快)is often criticized by poets for its lack of subtle implication in expression.Although it can’t be called the wind vane of the evolution of the history of poetry,it also reflects the change of the aesthetic orientation of the poets to a certain extent.Compared with other poetic categories,the positive value of"Kuai"(快)can cover the whole process of poetry creation and acceptance,and can describe the aesthetic feeling of the whole process,which is the most special value of"Kuai"(快)as a poetic criticism term.
出处
《古代文学理论研究》
2020年第1期203-221,共19页
Studies of Ancient Chinese Literary Theory
关键词
快
诗学批评
范畴
阐释
"Kuai"(快)
poetics criticism
category
interpretation
