摘要
词学所论虚字包括语言学中的虚词和部分在词中作领字的实词。由于词体音乐性、女性化等特质,唐宋词人较为注重虚字的运用,并从雅俗观念出发进行虚字批评。清代词人论虚字已无音乐背景,而多着眼于虚字语言、结构、修辞上的特点与功用。前期词人在去俗求雅的潮流中,热衷于虚字字句形式上的雅俗特性,主张适用或少用虚字。后期词学以风雅、骚雅为尚,重视探讨虚字在意涵表达上的修辞功能,主张巧用或不用虚字。虚字批评与词人的词学观念、审美息息相关,彰显出语言形式批评的思想理论意义。
The function words in Ci include the empty words in linguistics and some notional words which are used as leading words in Ci.Because of the musicality and feminization of Ci,the poets in Tang and Song Dynasties paid more attention to the use of function words and criticized them from the perspective of elegance and vulgarity.Losing music background in Qing Dynasty,the poets focused on the features and functions of function words.In the early stage,the poets were keen on discussing the form of function words,and advocated to use some or less function words in the trend of seeking elegance from vulgarity.In the later stage,Fengya and Saoya were regarded as the priority,and the rhetorical function of function words in the expression of meaning was emphasized,and function words were used skillfully or not.The criticism of function words is related to the concept and aesthetics of poets,which shows the significance of ideological and theoretical of form criticism.
出处
《古代文学理论研究》
2021年第2期498-515,共18页
Studies of Ancient Chinese Literary Theory
关键词
虚字
词体
清代词学
雅俗
修辞
function words
Ci
Ci study in Qing Dynasty
elegance and vulgarity
rhetoric
