摘要
明末时,司空图被确认为《二十四诗品》的作者以后,这部作品声名大噪,流传渐广。清人在“司空图作者说”的影响下,将《二十四诗品》与司空图的生平经历、道德品质、文学思想以及诗歌创作联系起来考察,并将这部作品的创作时间定位于晚唐,据此展开关于唐代诗歌与诗学观念的想象,并进行了一系列诗学史建构。清人在阐释《二十四诗品》的同时,也以他们的论说强化着这部作品与司空图及其所处时代之间的关联,进一步巩固了司空图的作者权。回顾《二十四诗品》的清代阐释史,可以帮助我们更好地理解文学作品与作者的关系问题,亦是一次重新审视既有文学观念的契机。
After Sikong Tu was confirmed as the author of The Twenty-four Modes of Poetry in the late Ming Dynasty,this work became famous and spread widely.Influenced by the view that Sikong Tu is the author of The Twenty-four Modes of Poetry,people in Qing Dynasty connected the work with Sikong Tu's experience,moral quality,literary thought and poetry,and positioned the creation time of this work in the late Tang Dynasty,according to which they imagined the poetry and poetics concepts of the Tang Dynasty and constructed a series of poetic histories.While interpreting The Twenty-four Modes of Poetry,people in Qing Dynasty also strengthened the relationship between this work and Sikong Tu with their exposition,further consolidating the authorship of Sikong Tu.A review of the interpretation of The Twenty-four Modes of Poetryin the Qing Dynasty can help us better understand the relationship between literary works and their authors,and is also an opportunity to re-examine established literary concepts.
出处
《古代文学理论研究》
2023年第2期162-185,共24页
Studies of Ancient Chinese Literary Theory
关键词
司空图
《二十四诗品》
清代
阐释
The Twenty-four Modes of Poetry
interpretation
Sikong Tu
the Qing Dynasty
