摘要
经翻阅文献与再度检视画面本身,对杜琼存世《友松图》的主题、受画人等提出新的看法,否定了自明末张丑以来对该作的一贯认识。并依据画面采用的图像模式,将此作置入元、明时期书斋山水图的制作脉络中进行观察,认为此作是杜琼为纪念与答谢一位拥有四品及以上官职的武官友人来访,绘制并相赠的图画。根据同时期主题、制作情境相近画作的定名原则,此作名“东原斋图”当更为贴切。
After reviewing the literature and re-examining the painting itself,this article puts forward new perspectives on the theme and recipient of Du Qiong’s Yousong painting,against the long-lasting dominant opinion led by Zhang Chou since the late Ming dynasty(1368-1644).On the basis of the painting’s schema,when placed within the context of the landscape related to literati living space in the Yuan(1271-1368)and the Ming dynasties,this painting was probably created to commemorate the visit by a certain high-ranking military officer and presented to him as a gift of gratitude.According to the naming principle of contemporary works with identical themes and creative context,it would be more appropriate to be named after Du Qiong’s study“Studio of Dongyuan”(Dongyuan zhai).
出处
《故宫学刊》
2022年第1期202-214,共13页
Journal of Gugong Studies
关键词
杜琼
武官
《友松图》
书斋山水
Du Qiong(1396-1474)
military officer
the Yousong painting
landscape painting of literati living space
