摘要
2020年新型冠状病毒肺炎疫情暴发并迅速蔓延。在抗击新冠肺炎疫情过程中,全国舞蹈界人士积极投入到"抗疫"事业中,各级舞协、高校、舞蹈机构等系统迅速展开新冠肺炎疫情主题性创作。舞蹈创作者借助互联网,以"舞蹈影像"的方式,通过"镜头"为战胜疫情助力发声,掀起了一股"以舞战疫"的创作热潮。短短两个月,数百部新冠肺炎疫情主题舞蹈作品通过独特的"隔空创作"现身互联网的"舞台"。作为中国舞蹈史上第一次完全以互联网为媒介的主题创作,网络文化因素的全面渗透使其创作过程呈现出显著的网络化艺术特点,这是对舞蹈创作形态认知方式的一次革新。在疫情防控期间这一特殊创作背景下,基于网络媒介传播的舞蹈作品形态多样、导向鲜明、时效性强,更带有"互联网+舞蹈"的显著特征。
The COVID-19 pandemic broke out and spread rapidly in the year of 2020.Nationwide dance communities actively engaged in the cause of fight against the epidemic.Dance associations,universities and colleges,dance institutions and other systems at all levels quickly launched COVID-19 themed creation.With the help of Internet,dance choreographers used"cameras"to voice for the battle against COVID-19 in the form of"dance film"and set off a wave of"dance against epidemic".In just two months,hundreds of COVID-19 themed dance works appeared on the"stage"of Internet through a unique"intangible creation".As the first time in the history of Chinese dance and with the Internet as the sole medium of thematic creation,the comprehensive penetration of network cultural factors makes the creation process show significant characteristics of online art.This is an innovation in the cognitive mode of dance creation.In the special context of the epidemic prevention and control period,dance works based on the network media are diverse in form,clear in direction,and time-sensitive,with the distinctive characteristics of"Internet+dance".
作者
孟梦
MENG Meng(School of Dance,Shandong University of Arts,Jinan 250014,China)
出处
《北京舞蹈学院学报》
CSSCI
2020年第2期22-26,共5页
Journal of Beijing Dance Academy
基金
山东省政府“泰山学者”建设工程专项经费资助
作者简介
孟梦(1982—),女,硕士,山东艺术学院舞蹈学院副教授,主要研究领域:当代舞蹈创作与传播。
