摘要
受性别文化影响,物不断被赋予性别特征、差异和定势,进入社会文化建构的性别权力与等级差异的体系之中,并随着社会文化、环境的变化而变化。铜镜在进入博物馆后经历了博物馆化,其中包含了性别化的过程。铜镜文化展的主题思想、形式设计和展品组合方式进一步放大铜镜的女性气质。女性主题展览则在主流文化的凝视之下重复再造符合主流文化习惯的性别角色,不仅参与定义了铜镜的女性气质,还在博物馆的空间内将其内化为女性集体的自我认同。
Affected by gender culture,objects are constantly endowed with gender characteristics,differences and potentials,entering into a system of gender power and hierarchical differences that social culture pays attention to,and changes with changes in social culture and environment.After the bronze mirror entered the museum,it underwent musalization,which included the process of gendering.The theme,formal design and combination of exhibits of the bronze mirror culture exhibition further amplify the femininity of the bronze mirror.The female-themed exhibition reflects the gaze from mainstream culture and repeatedly recreates gender roles in line with mainstream cultural habits.It not only participates in the femininity of the bronze mirror,but also internalizes the femininity of the bronze mirror into the collective self-identity of women in the museum space.
作者
杜思源
Du Siyuan(Shanghai Jinshan District Museum,Shanghai,201508)
出处
《博物院》
2024年第1期78-84,共7页
Museum
关键词
物
性别
铜镜
博物馆
女性展览
Objects
gender
bronze mirror
museum
female-themed exhibitions
