摘要
《致爱丽丝》(Für Elise)是贝多芬最出名的钢琴小品之一,是他献给心爱女子的“情书”。在贝多芬的许多作品中,总是显现出他对于建立美好两性关系渴望与逃避的心理。虽然西方学术界自20世纪80年代起,对该作品中主人公“爱丽丝”的身份,开展激烈的探讨。但由于作品自身篇幅短小且技巧简单,故而,从音乐本体进行深度学术研究一直较为缺乏。文章便是从作品本体出发,剖析作品中关于字母“E”的隐喻,进一步对作曲家与女性的关系,进行解读。
Für Eliseis one of Beethoven’s most famous piano pieces which can be seen as a “love letter” to a woman. In many of his works,Beethoven always shows his paradox on desire and shrink of love. Although since the 1980s,the Western scholars have intense discussions on the identity of the protagonist Elise,it still lack of in-depth research about the music due to its short length and simple skills. This article analyzes the metaphor of the letter “E” and interprets the relationship between the composer and women in the work.
出处
《北方音乐》
2022年第4期79-86,共8页
Journal of the Northern Music
作者简介
钱滢舟(1992—),女,艺术学博士,南昌大学艺术学院讲师(南昌330031)
