摘要
在跨媒介语境下,非虚构文学与电影艺术的互动频繁,呈现出影像"再生产"的新变化,即从人物传记、报告文学、回忆录和非虚构小说到电影的转换与改编。在文本特点层面,非虚构文学改编电影表现出人物塑造的多样性、题材选择的现实性以及心理刻画的真实性等基本特征。在改编策略层面,创设具有亲历性的"在场感"、合乎逻辑的想象以及对重要事件保持敏感度等三方面准则,成为非虚构文学改编电影的应有之义。
From biographies,reportage,memoirs and nonfiction novels to films,the interaction between nonfiction literature and film art is frequent in the cross-media context,which shows a new change of image reproduction.In the aspect of text characteristics,the artistic phenomenon shows three basic characteristics,such as the diversity of characters,the reality of theme selection and the authenticity of psychological description.At the level of adaptation strategy,it is necessary to create three criteria,such as"presence"with personal experience,logical imagination and sensitivity to important events.
关键词
跨媒介
非虚构文学
电影改编
Cross-media
Non-fiction literary
Film adaptation
作者简介
王晖,南京师范大学文学院教授、博士生导师艾志杰,苏州科技大学文学院讲师
