摘要
本雅明最早意识到了现代技术对电影这一艺术形式的影响,但是他的观点遭到了阿多诺的激烈批判。二人分别站在德国表现主义与苏联国有电影两个完全对立的角度各抒己见,二人观点的对立冲突折射了大众电影发展之初在意识形态、传播技术等诸多问题上的困境与摇摆。今日,再次审视电影与现代技术的"第一次"互动或许带来新的启示。
Today,technology has penetrated into all aspects of the film,re examining the"first"interaction between film and modern technology may bring new enlightenment.Benjamin was the first to realize the influence of modern technology on the art form of film,but his view was severely criticized by Adorno.They expressed their views from two completely opposite angles:German Expressionism and Soviet state-owned film.The conflict of their views reflected the dilemma and swing of mass film in ideology and communication technology at the beginning of its development.
关键词
电影
本雅明
机械复制
自律艺术
Film
Benjamin
Mechanical reproduction
Art of self-discipline
作者简介
凌羽乔,北京大学新闻与传播学院博士研究生
