摘要
永宁寺是北魏迁都洛阳后最重要的皇家寺院,但建成十余年后便遭遇大火而湮灭。永宁寺塔基遗址出土了大量泥塑残块,其造型、工艺是同时期佛教雕塑的典范。本文根据泥塑残存彩绘的X射线荧光检测报告,分析泥塑的颜料使用和装饰特点,同时参照发掘报告记述、未检测的泥塑彩绘及同时期的石窟、墓葬美术等材料,进一步考察永宁寺泥塑的制作技术和佛教色彩观念对赋彩妆銮的影响。
Yongning Temple was the most important royal monastery after Northern Wei dynasty moved its capital to Luoyang,but it perished in a fire ten years after its completion.The site of the Yongning Pagoda base has yielded a large number of clay statue fragments,whose shape and craftsmanship were models of Buddhist statues of the same period.Based on X-ray fluorescence detection report of remaining colors on the clay statues,this paper analyzes color application and decorative characteristics of these statues.At the same time,by consulting such materials as records in the excavation report,undetected color painting on the clay statues,and artworks in grottoes and tombs of the same period,the paper further investigates the influence of the craftsmanship and Buddhist concept about color application of these clay statues on color application and decoration.
作者
李思思
Li Sisi(Luoyang Museum)
出处
《湖南省博物馆馆刊》
2022年第1期571-587,共17页
Hunan Provincial Museum
关键词
永宁寺泥塑
古代颜料
工艺
色彩观念
clay culpture of Yongning Temple
ancient colors
craftsmanship
concept about color application
